Reflexões sobre análise musical na perspectiva de uma fenomenologia da percepção musical

Abstract

From the point of view of a phenomenology of music perception, the several analysis models elaborated and worked out by traditional musicology are not sodifferent from each other, despite their plurality and diversity. Generally, all of them assume the same manner of studying music. In principle, all of them work in view of an analytical position, strictly speaking: dividing an issue into as many parts as necessary to better solve it. This favors a certain manner of ‘perception’ that is only dedicated to the idea of structure, thus concealing the aesthetic dimension of experience.

Index Terms - analysis, aesthetics, phenomenology, musicology.