A ARTE CONTEMPORÂNEA: CONTRIBUIÇÕES METODOLÓGICAS SEGUNDO ABY WARBURG

Cristina Susigan

Abstract


This article intended to establish the relationship between the formation of Mnemosyne Atlas and contemporary art. As a consequence of the democratization of art, from the twentieth century, a superabundant universe of artistic works generated a vast territory of problematizations. The need for different methodological proposals is necessary, for this reason, and if we assume that they must monitor the diversity and complexity of processes and artistic products. The relevance of this research lies in the appreciation of the methodological content in the concept of Denkraum (“thinking space”), and their contribution to scientific structures which allow the flexibility analysis and imponderables. With the thus obtained results we can determine a set of clues that this communication is intended to take, relying on considerations of Georges Didi-Huberman on Warburg , whose theoretical field multidisciplinary falls outside the boundaries of aesthetics.

 

Index Terms - Aby Warburg, contemporary art, Denkraum, Mnemosyne atlas.


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